Meet a few of the youngest stars of YA fantasy & sci-fi fiction writing

Do you ever have a story in your head that feels so huge, so epic, that you think, “Who am I to write this?” It’s a feeling a lot of writers have, especially when they’re young. But some of the most groundbreaking, imaginative, and successful books in recent years were written by authors who weren’t much older than their target audience. They prove that you don’t need decades of life experience to build a new world from scratch. All you need is a powerful idea and the drive to see it through.

Let’s get inspired by a few of the youngest authors who took the YA science fiction and fantasy world by storm.

Christopher Paolini, author of Eragon

  • Breakout Age: Paolini started writing Eragon at just 15 years old. It was famously self-published before being picked up by a major publisher, when he was 19.
  • The Hit Book: Eragon, the first book in The Inheritance Cycle, became a global phenomenon. A classic farm-boy-finds-a-dragon-egg story, it was everything an epic fantasy fan could want.
  • What Made It Special: Eragon is a masterclass in ambition. Paolini wasn’t just writing a story; he was building a massive world with its own languages, history, and rules of magic. He proved that a teenager could not only write a novel, but could command the epic scale and intricate detail that the genre demands, inspiring a whole generation of young writers to dream bigger.

Veronica Roth, author of Divergent

  • Breakout Age: Roth famously wrote Divergent during her senior year of college. It was published when she was just 22 years old.
  • The Hit Book: Divergent kicked off a series that became a cornerstone of the YA dystopian boom. It tells the story of Tris Prior, who lives in a futuristic Chicago where society is divided into five factions based on human virtues.
  • What Made It Special: Divergent‘s genius lies in its powerful central metaphor. The faction system was a brilliant and instantly relatable way to explore the intense pressure teens feel to fit in and define their identity. It tapped directly into that universal high school question: “Where do I belong?” The psychological trials were a unique and thrilling way to explore character depth and courage.

Tomi Adeyemi, author of Children of Blood and Bone

  • Breakout Age: Adeyemi was 23 when her debut, Children of Blood and Bone, landed one of the biggest publishing deals in YA history.
  • The Hit Book: Children of Blood and Bone is a soaring epic fantasy that follows Zélie Adebola as she attempts to bring magic back to her oppressed people.
  • What Made It Special: This book was a cultural landmark. Adeyemi wove West African mythology and Yoruba spiritual traditions into a powerful, action-packed fantasy that felt both classic and revolutionary. It tackled deep themes of oppression, race, and identity with a fiery passion that resonated with millions of readers. Adeyemi showed the immense, world-changing power of telling stories that had been left off the fantasy map for far too long.

The next time you sit down to write and that little voice of doubt creeps in, just remember these authors. They didn’t wait for permission to build their worlds. Your age isn’t a barrier—it’s your superpower. You have a voice and a perspective that no one else has.

So go write that story. We’re all waiting to read it.

Beyond the pale elf: 5 fantasy recs with representation

And hey, I love that guy! But when that’s the only model available, a lot of us are left staring at the screen thinking, “Uh, none of these look like me.” You can’t find your reflection, and it’s hard to feel like the hero of the story when you can’t even see yourself on the screen.

This is why we talk about books as “mirrors and windows”—they give us a chance to see ourselves (a mirror) and to understand someone else’s world (a window). Thankfully, today’s authors are blowing the doors off the old character creator. They’re adding every possible option, background, and skill tree, finally making fantasy a world where everyone can be the hero.

If you’re looking for amazing adventures with fully expanded character-creation sliders, here are five books that are getting it right.

1. Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett

This cozy and brilliant adventure offers a mirror for anyone who’s ever felt more at home with books than with people. The protagonist, Emily Wilde, is a genius Cambridge scholar who is logical, driven, and—to put it mildly—socially awkward, and she is widely embraced by readers as a fantastic representation of neurodiversity. Her academic approach to studying dangerous fae is a hilarious and heartwarming window into a mind that works differently, proving that methodical rigor can be its own kind of magic.

2. Legend by Marie Lu

Some of the most important windows books can offer are into perspectives we might not otherwise understand. In the dystopian Republic, we follow June, a military prodigy from an elite family, and Day, a boy from the slums who is the nation’s most wanted criminal. By putting us in both of their heads, Legend becomes a masterclass in empathy, showing how two people on opposite sides of a societal war can both be heroes in their own stories.

3. Legendborn by Tracy Deonn

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When sixteen-year-old Bree Matthews’s mother dies, she uncovers a secret magical society based on Arthurian legend and realizes her own family history holds a powerful magic of its own. Legendborn is a stunning mirror for Black girls who love fantasy, weaving Southern culture and the history of slavery into the very fabric of magic. It’s also a vital window for every other reader, powerfully reframing a classic legend to create something wholly new and deeply necessary.

4. The House in the Cerulean Sea by T.J. Klune

This book is a warm hug for anyone who has ever felt like an outsider, and it’s a particularly powerful mirror for LGBTQ+ readers looking for gentle, hopeful fantasy. It follows a by-the-book caseworker, Linus Baker, as he investigates an orphanage of magical children and discovers the transformative power of found family. It’s a beautiful and tender story about choosing kindness over prejudice and finding where you truly belong..

5. Fourth Wing by Rebecca Yarros

This book is an absolute phenomenon, and one of its most powerful elements is its main character, Violet Sorrengail, who lives with a chronic illness that makes her body more fragile than others. In a brutal dragon-riding war college where weakness is a death sentence, Violet’s fight to not just survive but thrive is an incredible mirror for anyone living with a disability or chronic condition. It’s a fierce, powerful story about finding strength in resilience, not just in physical ability.


These books are more than just great stories; they are proof that the best fantasy reflects everyone. They create a world where more of us can see ourselves as the hero, ready for our own adventure.

What books have been powerful mirrors for you? I’d love to hear about the stories that made you feel truly seen in the comments below!

On Using Story Cartel to Get Reviews for Your Self-Published Book

Story-Cartel-logo-300x284For self-published authors, establishing credibility with a substantial number of honest reviews is crucial in order to sell books. In an effort to get more reviews of the first book in The Conjurors Series, I tried a website called Story Cartel. For $30, you are allowed to list your book on the site, where readers can download your book for free. Readers who write reviews of the books they download are entered into contests for various prizes, like gift cards or a new Kindle. During my promotion and I received 8 reviews (four4-star, four 5-star).

Ultimately I’m happy that I decided to use Story Cartel. I kept my expectations reasonable. There are some folks who received 50 reviews using Story Cartel, but most of my research prepared me that I’d be lucky to get more than five. I now have seven more positive reviews of The Society of Imaginary Friends than I did before, which will hopefully make the next promotion of my book more powerful.

Pros:

  1. Story Cartel has a built-in network of readers who have probably never seen your book before, so you have the chance to get new, honest reviews. You are guaranteed to get at least one new review or you get a refund.
  2. After the promotion, Story Cartel gives you a list of the names and email addresses of everyone who downloaded your book. This provides you the ability to politely reach out after your promotion to see if they are interested in reading other work by you.
  3. It’s a great opportunity to get some honest feedback about your book. Especially if you’ve only had a friendly audience reviewing your story, even a few new reviews can help you understand if there are major changes that you need to make before you continue to promote your book.

Cons:

  1. It isn’t free, and you only get your money back if you get no reviews at all. Story Cartel charges $30 for their service, which is money they use for prizes that they give to readers who post reviews.
  2. It’s up to you to promote your giveaway on Story Cartel if you want more than a few reviews. I made a couple of posts on Twitter and Facebook, and that seemed to help get a few extra readers of my book.
  3. Some reviewers don’t post genuine reviews. I had one reviewer who writes generic reviews and posts them for a whole bunch of books in order to be entered into the Story Cartel prize drawing multiple times. She didn’t actually read my book and provide an honest review.

Has anyone else used Story Cartel? What was your experience like?

Calling All Self-Published Authors: Book Review Exchange

shutterstock_108685118One of the most powerful marketing tools that your book can have is one that doesn’t cost anything at all – honest reviews. It’s one of the first things that readers look for when they’re deciding whether a book is worth checking out. In particular, self-published novels need good reviews, because readers are trying to sift through hundreds of cheap – or free – books, many of which aren’t high quality.

The other value that I’ve found equally important from reviews is that it is a great way to get honest feedback about your book. Friends, family, and even beta readers are biased. Strangers can often provide insights that you’d never get otherwise. For example, reviews of The Conjurors Series have alerted me to the fact that I may be targeting the wrong audience for my story. I’d considered it YA fantasy, but readers think it is more appropriate for a younger audience. In the future, I’m going to promote it more heavily to middle grade readers.

I’d also like to get more reviews for the books in The Conjurors Series. To that end, I’m asking anyone who is interested in exchanging books to read and honestly review to reach out to me in the form below. I’ll read yours and provide reviews on Amazon, Goodreads, or any other sites where you’re promoting your book, if you’ll do the same for me.

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