Author Archives: conjurors

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About conjurors

I am a YA fantasy author who started this blog to share the unusual places I find inspiration for my writing, and to discuss with other artists how they find their muses. My first book of The Conjurors series, Into the Dark, is now available on Amazon.

How to Name Your Protagonist

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shutterstock_136700621When my husband and I decided to name our now-toddler Jacob, it was in the middle of the Twilight craze. You have my word that I didn’t choose his name because I’m team Jacob, though I have a feeling that I may field that question for the rest of my life. Really, Jacob is a name my husband has always loved and dreamed of naming his son some day. How could I say no to that? It was an easy choice.

Naming the protagonist of The Conjurors Series, Valerie Diaz, on the other hand, was much more difficult. I trolled websites, favorite books, and even newspapers for the right name. I wasn’t choosing a name that I loved, I was choosing a name that encapsulated the person I wanted her to be. I hoped that my final choice reflected her ethnic heritage, courage, and uniqueness. But as I start to think about the next series that I’ll be writing, it got me wondering if there were other ways to find the perfect name for my protagonist. Below are some of the techniques that fellow writers have found helpful, and a couple that I use myself when naming key characters.

Consider the regional origin of your protagonist and her key character traits.
A great place to start your name search is on a baby-naming website like Baby Names. What I love about this site is that you can search by region, if you’re looking to name your character something that would suit a particular part of the world, by popularity, or by meaning. This can also be a great place to finish your search for a character name. If you’ve found the perfect name that completely suits your character, it’s worth checking that the meaning isn’t something like “harbinger of doom”.

Borrow a name from history or literature and give it your own spin.
Whether it’s heroes from Greek mythology or your American history textbook, famous people’s names immediately come with an innate depth. But rather than simply calling your protagonist “Beowulf”, consider tweaking the name so that it sounds similar, but has its own twist.

Choose a name that inspires you personally.
Another, sometimes overlooked option is to name your protagonist for a particular hero or heroine in your life. Sometimes a name resonates with you for personal reasons, like the name of a teacher who inspired you. Even though the name may mean nothing to readers, you will unconsciously imbue your heroine with the good and bad qualities of the person they are named after, and can result in a more rounded protagonist.

Don’t pick a name that’s super hard to pronounce or remember.
As much as I enjoy unusual names, it is possible to go overboard. I’m a huge fan of The Chronicles of Prydain (especially The Black Cauldron) by Lloyd Alexander, but to this day I have no idea how to pronounce some of the names, like Eilonwy or Fflewddur Fflam. If I decide to write a rave review about a book where the characters have difficult names, it’s a huge deterrent if I have to go back and remind myself of how to spell the their names and remember who’s who.

Make sure the name makes sense for the setting you’ve chosen for your novel.
If you’re writing a medieval fantasy, for example, choose names that were popular at that point of history. It lends authenticity to your story. Also, don’t give all of the sub-characters unusual names if your protagonist has a name outside the norm. It dilutes the impact that you’re going for.

How did you name your protagonist? Any advice on other sources of inspiration for naming characters?

Author Interview: Alison Williams on Writing Historical Drama

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The Black Hours book coverWell-researched historical fiction can have a profound impact on a reader, particularly when it touches on a subject as fascinating and appalling as the persecution of “witches” in England in the 17th century. Alison Williams tackles this difficult topic in her novel The Black Hours, evoking a dark, terrifying mood that made me appreciate yet again that I wasn’t born a few hundred years ago. Her story not only graphically details the blind paranoia of the times and the torture used on women accused of witchcraft, but also exposes the vulnerable powerlessness that women in general were exposed to at that time.

Alison shared her insights on researching and writing her novel, as well as what inspired her to explore the dark topic of witchcraft.

Tell us a little about yourself.

Alison WilliamsI live in Basingstoke, a town in Hampshire in the south of England. I originally trained as a journalist and met my husband at college. We have been married for 19 years and have two teenage children. I worked in education for several years, mainly with children with special needs. In my forties I decided that I needed to focus on my writing so took a Masters in Creative Writing. This really helped with my novel – part of The Black Hours was submitted in my final portfolio. I now write full-time as well as helping out with my husband’s PR business. I love to read – my favorite authors are Hilary Mantel and Elizabeth Kostova. I also like to watch movies (especially if they happen to be starring Johnny Depp or Ryan Gosling!). I also love music and like to see bands live whenever possible – in the last month I have seen Johnny Marr, Arctic Monkeys and Stereophonics. I’m happy to say that my kids often come with me – although usually because I’m paying for the tickets!

What was the original inspiration for your historical drama, The Black Hours?

I’ve always been extremely interested in history and, in particular, women’s history. I find it rather sad that a man like Matthew Hopkins <the villain of the novel> actually existed and did the awful things that he did, but that he is not really that well-known. In fact, a lot of people that have read The Black Hours think that I made him up! He was responsible for hundreds of deaths in England yet is hardly mentioned in our history books. Consequently, I really feel his victims have largely been forgotten – all too often they are just names on a list in a book or museum. We tend to forget that they were real people, with real lives, families, dreams, hopes and fears. What they suffered was dreadful and I really felt compelled to give them a voice. Although The Black Hours is fiction and Alice <the protagonist of the novel> never existed, the methods Matthew Hopkins uses in the novel are all methods actually used on real victims. I hope, in some small way, the novel pays tribute to those real victims.

You have a gift for creating a distinctly dark and desperate mood that permeates your novel. Did you consciously cultivate this tone, and if so, what were your techniques?

Thank you! I’m so glad that the desperation of the women comes across. I think that the tone comes naturally as a result of the subject matter. I felt that I had to try and put myself in their shoes (as much as a 21st century woman can) and try to understand and express how they must have been feeling as their world and everything they loved was threatened and ultimately destroyed. The biggest compliment I have had was from a reader who said that she was actually shouting at Matthew as she read because she felt as frustrated as Alice must have felt. That helplessness, frustration and despair, that feeling that there was nothing you could possibly do to help yourself out of this terrible situation, was what I imagined his real victims must have felt.

The Black Hours also explores the complex gender and power relationships at a particular point in history. Do you feel that your protagonist, Alice, is empowered by the end of your novel?

I have a real problem with some female characters in historical fiction who manage to fight against the odds and be independent, free and liberated. While I want Alice to be empowered and strong, which I think she is, I also want her to be realistic. I think it does a disservice to women of the past when modern day writers ignore the constraints that women lived under. By making them falsely brave or heroic I think they take away something from the everyday bravery that many, many women had to have in order to just survive. In 1647, Alice was empowered by simply being able to live alone and fend for herself.

Many of the readers of this blog are self published. Do you have any advice or marketing tips that have worked well for you?

I am learning all the time! I think that marketing is really tough because there are so many other books out there fighting for the readers’ attention. The best thing I have done is to develop a support network of other independent writers. I don’t think it helps to see other indie authors as the competition, rather I see my self-published colleagues as friends. I know that I can ask them for advice and support and in return I am happy to offer my own advice and support.

What is the most unusual thing that has ever inspired your writing?

I meet up with a group of four other writers once a month. We all write in different genres and have very different styles. We have, in the past, swapped genres and had a go at writing a piece in a genre we were really uncomfortable with. I got science fiction/fantasy! I can’t say I was exactly inspired, or that my attempt was very successful, but it was good to stretch my writing.

Is there anything else you’d like us to know about you?

I have to have total silence when I work. Any noise is instantly a complete distraction. Even the dog has learnt to be quiet in the day when I’m sat at my desk! It’s a shame because I’d love to have music on or listen to the radio, but if I do that then my focus is instantly on whatever song is playing and not on my writing. I must have a terrible attention span! Noise isn’t the only thing that distracts me – working from home there’s the chores, the telephone ringing, the doorbell and of course Facebook and Twitter to distract. What I’d really like is to have a house with enough land to build a little office at the bottom of the garden where I could hide away from everyone and everything and just get on!

Waiting to Self-Publish

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A couple of months ago I decided to accept that I needed an official cover artist, and it was one of the best decisions I’ve made. Recently I also accepted that it was time to hire a professional editor as well. Coming to terms with spending the money was the first hurdle (along with accepting that I couldn’t do it all myself). But the second hurdle is the waiting.

The editor I’ve chosen is popular (with good reason) so I’ve had to put my plans for unrolling the rewritten first book in The Conjurors Series, along with the almost-finished second book until 2014. That means that the entire series might come out in the same year. It’s so hard to hold back my beautiful new cover and rewrites until I’m really ready to promote the series. It’s also hard to keep the momentum going to begin writing the third book in the series as well, which I planned to release in the late spring/early summer.

All newbie mistakes, I suspect. But it does leave me wondering what other surprises are in store for me in the beguiling world of self-publishing.

For those who have self-published a book, what unexpected hurdles did you run into?

5 Ways to Promote Your Self-Published Book Locally

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shutterstock_156141578When researching how to market The Conjurors Series, I’ve read hundreds of articles on building a social media presence, leveraging Amazon, and where to list my novel as an e-book and a print book. But an excellent blog post by The Writing Teacher got me thinking about some local ways to get the word out when you self-publish. After all, you probably have an existing, strong network of people within their community who might be willing to help you promote your book if you ask. I did a little digging and found some useful ways to tap into your local community to market your book.

Talk to Nearby Libraries
Aside from agreeing to carry your book, many local libraries are eager to host readings by authors in the community. Many libraries welcome professional, high-quality books that are donated, and even have shelf space set aside for local authors. To increase your chances of being carried, have friends and family stop by the library and request your book. Libraries take requests seriously, and if your book is in demand they will be more likely to be open to displaying your book prominently. On a related note, I also read a recent blog post by Author Media that suggested having readings of your book at other places in your community, such as retirement communities, churches, and schools.

Pitch to Local Press
At first it seemed far-fetched to me that any local news channel, radio station or paper would consider covering a local writer. And it’s true that when you are completely unknown, it’s harder to get the attention of even your local media. But as you build buzz for your book by participating in events in your community, a well-crafted pitch may attract the attention of a reporter. Put together a high-quality media kit and you may be surprised by the response. For tips on what to include and how to put it together check out this post by The Alliance of Independent Authors.

Approach Local Businesses
Aside from independent bookstores in your community, many other businesses are open to selling books in a section of their store. Small grocers and magazine stands often have novels and other books available, and some even have sections for local authors. Consider offering these businesses a discount in order to entice them to carry your book. It is especially critical that your book be available at local vendors after promoting it with local press. You want people to see your book while it’s still top-of-mind for them.

Set Up a Booth at Local Events
Craft fairs, flea markets, county fairs and even farmer’s markets are all venues to get your face and book in the public eye. Don’t be afraid to list times for readings of excerpts of your story, or, if it’s nonfiction, possibly a demonstration or discussion on tips regarding a certain topic. Another option that is sure to attract crowds is a giveaway. Have potential readers put their name and contact information in a bowl, and having a drawing for free books at a designated time. That way, you can reach out to the entrants who didn’t win by offering an e-book version of your book at a reduced cost (or free).

Sponsor a Local Cause
Rather than teaming up with a random local cause, consider these two options. First, search for a cause that is related to your book. For example, I write YA fantasy, so I plan to look for organizations that support educating disadvantaged youth in the community. I can donate proceeds from my book to the cause and also give it away to the organization for the students they support to read. A second consideration is teaming up with another local group, like a band, who also support a cause. There is power in numbers, and by teaming up you’ll reach an expanded network of potential readers.

Have you ever promoted your book locally? If so, what techniques did you use and how successful were you?

The Curse of the Whiny Protagonist

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shutterstock_148391531I’ll never forget reading book 5 of the Harry Potter series, Harry Potter and the Order of the Phoenix. Suddenly, sunny, kind little Harry was a brooding teenager. I remember thinking that I didn’t like him as much anymore. I understood that he was evolving as a character, and part of being a teenager is embracing angst – especially if you’ve just witnessed first-hand the death of a classmate. But his likeability factor plummeted. Of course, in spite of this change, this book is still incredible. I cried at the end. But it always stayed with me as the one book in the series where Harry didn’t feel like Harry.

So you’d think I learned a lesson from reading that, but after sending the second book in The Conjurors Series to beta readers, everyone said the same thing. My protagonist, Valerie, was too angst-ridden. And as I re-read and made edits, I realized they were right. Low self-esteem is part of her character, but it was over-the-top. Maybe massive low self-doubt is a natural part of being a teenage girl, but it didn’t read well in a heroine.

That’s when I realized that we don’t want to read about people who are exactly like everyone we meet in daily life. We want heroines who are exceptional, who, in spite of their flaws, rise above petty concerns and are capable of a depth of compassion or bravery or intelligence that we hope we are capable of, but we know most people aren’t. Maybe this isn’t true for every genre, but I truly believe the best YA fantasy books I’ve read all adhere to this idea in their protagonist. Harry Potter, Katniss Everdeen, Tris Prior – I could go on and on – all tap into the best versions of themselves under difficult circumstances.

That being said, I know this opinion isn’t one that everyone shares. The Twilight Series or even The Catcher in the Rye prove that you can be successful with a whiny protagonist who is written well. But I confess that these books are not on my favorites list. However, if you do love super-angsty protagonists, check out this Goodreads list on popular whiny protagonists – it gave me a good chuckle. It’s a definite counterpoint to the heroes I mentioned above, and proof that in the hands of a skilled writer, any protagonist can be compelling.

Of course, the danger is going to the opposite extreme and making protagonists too perfect – something that can be equally annoying. Finding that tricky balance with my own heroine is something that evolves with every chapter I write. Hopefully, after hundreds of hours of writing and edits, Valerie will come across as a real, but exceptional, teenage girl thrust into extraordinary circumstances who rises to the challenges she encounters.

Author Interview: Ronan Cray on Writing Horror

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Red Sand CoverI’ll freely admit that when it comes to scary books and movies, I’m a giant chicken. I’m the reader who skips to the end of the book to see who dies so that I don’t get too attached, but then ends up having nightmares for the next two weeks anyway. So Ronan Cray’s horror novel, Red Sand, is not a book that I would normally try. But I’m glad I did, because it is a quick read with a unique twist – every chapter is written from the perspective of a different character.

In this interview, Ronan talks about what inspires him to write horror and how he crafted Red Sand, which landed him on the “Top 10 New Horror Authors” by Horror Novel Reviews.

Tell us a little about yourself.

It starts with a lie. I am a fictional character, a pseudonymous projection of all that is cool in the actual author with none of the geeky quantities. That amounts to about 1.05% of the original. Still, that exciting reality exists, as it does in all of you, albeit heavily diluted by day jobs, boredom, and mundane responsibilities. My makeup derives largely from annual and weekend travel – tours through the dry husk of the Forbidden City in Beijing, tastings of clear whisky at the Oban distillery, cold drafts in a St. Petersburg apartment, the cool autumn deaths of Pennsylvania flora. I am the memories of a drowning man. After a near-death experience, when you say, “My life flashed before my eyes,” you don’t see that wait at the DMV, the TPS report at work, the bus ride home. No. You see Ronan Cray.

What was the original inspiration for your horror novel, Red Sand?

Red Sand came from a dream. A big fellow chased me over the dunes and volcanic rocks of a desert island. A conch horn blew in the distance. “No!” he said, in fear. “It’s too soon! I could have done it!” It was too late. Hunter became hunted. They unleashed the creatures. They swarmed over us, vegetable Isz, tubers and vines destroying our flesh before I woke. That scene, slightly modified, started the book. The rest followed.

One of the most powerful aspects of your story was how each chapter was written from a different character’s perspective. How did you come up with that idea?

We’re surrounded by voices and stories, all of them valid, all of them interesting. I don’t believe in main characters. Who is the main character in a family, in a marriage? Most of the ills of this life derive from our solipsistic worldview, each person believing themselves to be the main character in their lives, waiting for everyone else to recognize this. But far more powerful characters frequently intervene. I’m fascinated by everyone’s agenda, and how those agendas inadvertently intersect and conflict with everyone else’s. That’s where drama comes from. I wanted the reader to experience omniscience, knowing the trajectories of characters bound to collide yet helpless to stop it. So I decided to explore the same story from the point of view of many. Out of dozens available, I chose only eight. Or rather, they chose me.

What was the hardest part about writing Red Sand, and how did you overcome it?

Of course, the multiple points of view turned out to be the hardest part. I often wrote myself into a roadblock. I’d give a character special knowledge, revealed only to her and the reader, then kill her off. (The character, not the reader). With that knowledge lost, how could the other characters continue the plot? Interweaving the plot between multiple characters meant fastidious tracking of facts and careful placement of actors on the stage. I couldn’t comb out a linear story, like first person novels can. I had to braid it. Rope is stronger than its individual strands. I think a story told by multiple characters is stronger in the telling.

Red Sand put you on the “Top 10 New Horror Authors” by Horror Novel Reviews. Besides great writing, how did you land your book on this list?

I didn’t actively promote myself as some great author. I was just as surprised and delighted as the other authors on the list. But that honor has made me more careful. I want my next novel to live up to, even exceed the first. I think it has.

Many of the readers of this blog are self published. Do you have any advice or marketing tips that have worked well for you?

Three words: think long term. Does a painter throw a show with one painting? Does a band get on stage with one song? Many authors get discouraged after they see their first book turn transparent right before their eyes. The public is a fickle, hurried bunch (see question 3) and don’t have time to discover your greatness immediately. A self-published author is a desert mirage attempting to build itself from particles of sand.  It takes time. And lots of sand.

What are some books and authors that have inspired your writing?

I’m inspired by the old greats – Stevenson, Dickens, Kafka, Hugo, and especially Conrad. In the old days, horror was implied. There is nothing implied in Red Sand, and my prose can’t compare, but that is the foundation I build my books on. Horror is a result of understanding. Events only have meaning when perceived.  Who perceives it is the story. The old masters understood this. They spent a great deal of time showing the reader the character, developing the context. Only when the reader fully lived in that world did they reveal the conflict. Modern books tend to skip to the action (myself included), in part because we are all more educated, less naïve, but also because we are less patient. I still prefer old books to modern ones, with apologies to my contemporaries.

Is there anything else you’d like us to know about you?

I’m fortunate to have a video game company turning my next book, Dust Eaters, into a video game. We’re running a Kickstarter through November 1st to raise funds. I do hope you’ll support me.

On Retitling My Novel After Publication

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shutterstock_152047091My writing kryptonite is naming and titling people and things. From titling my book to naming my villian, I always have to go through an excruciating process that takes hours. I comb through the thesaurus, look up historical references, and poll family and friends. I’ll even admit to carrying around a scrap of paper on my purse full of scratched out titles. What sounds good to me one day sounds cheesy three days later. All that is to say that I’ve decided to retitle the first book in The Conjurors Series from Into the Dark to The Society of Imaginary Friends.

After I wrote the first book in The Conjurors Series, I never gave any thought to self publishing and promoting my novel. I put it on Amazon for the cheapest price they allowed so that my friends and family could read it if they wanted to. Then I promptly forgot about it and moved on with my writing. But after being inspired to finish my series and explore self publishing, I decided it needed a new title. There are roughly 1 billion books titled Into the Dark, and it was no surprise that mine didn’t make the first page of books listed in a search on Amazon or Google. Or the second.

It was time for a title change. This time, I put some real thought into the titles that made sense for my series. Guilds, where people can study various magical professions in the world I created, play a key role in connecting the story from book to book. It made sense to name each book in The Conjurors Series after the guild that played the primary role in that story. Because the Guild called The Society of Imaginary Friends kicks off my heroine’s adventure, it made sense as the title of the first book.

In addition to a new title, I have also invested in professional cover art and made some significant edits to The Society of Imaginary Friends, because my writing has come a long way in the two years since I wrote it. In the next couple of weeks I’ll unveil a new cover, and in November the updated novel and cover will go live.

Have you ever retitled or re-released one of your novels? If so, how did the process turn out for you?

I’m Cheating on my Protagonist

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shutterstock_69810904I have a confession. I’m in a long-term, committed writing relationship with the current protagonist of The Conjurors Series, Valerie Diaz. She’s great – loyal, smart and filled with integrity. I’m not ready to end our affair – we’re only two books in to a four-book series. But I can’t stop thinking about someone else. While I should be plotting Valerie’s next move, I’m fantasizing about the heroine that I’m going to write about next.

I’m afraid that if I don’t get a grip, I’ll lose the momentum I need to finish my current series, which is planned to be completed at the end of 2014. By that estimate, I really shouldn’t be daydreaming about other heroines at least until book four is drafted. But it’s tempting. My favorite part of the writing process is creating characters and planning plots. All of the characters and plots in The Conjurors Series have been developed, at least at a high level. What’s left is the execution, which I also love, but doesn’t have the same thrilling joy that only giving characters life can bring.

Then, of course, come the comparisons. Valerie’s much nicer than my next heroine, but I think I actually like the new one more. In real life we could totally hang out, whereas with Valerie I’d have to be on my best behavior. Which naturally makes me feel more guilty. They’re both my creations – shouldn’t I love them equally? Of course, I’m aware that the new heroine and I are still in the honeymoon phase of our relationship. I’ve yet to become bogged down in the day-to-day grind of hurtling her into strange and painful situations and then carefully extricating her.

How do you stay focused on your current project when the next is luring you with its siren call? Do you give in and cheat, or stay the course until your current writing project is completely finished?

5 Authors’ Blogs for Self-Published Writers

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shutterstock_136888421Navigating the murky waters of the self-publishing industry can be both intimidating and overwhelming. From the craft of writing to marketing your books, the entire process is a truly intense labor of love. It also stands to reason that many writers are not necessarily gifted at selling themselves. I think most of us would prefer to be locked in a room somewhere, building new worlds. But market we must if we want to live to write another day. With an immense amount of resources out there, it’s hard to know what marketing techniques are effective, and which are a waste of your time (and sometimes money).

Listed below are five authors that I have found provide candid, intelligent advice on writing and marketing your books. Most of the big questions I’ve had have been answered on one of these blogs. Why re-invent the wheel when you can follow in the footsteps of other successful writers who are willing to share what they’ve learned along the way?

Lindsay Buroker
This was the blog that convinced me to self-publish. Lindsay is the author of several series, including Emperor’s Edge and Flash Gold, and her stories are fun, quick reads that I thoroughly enjoy. On her blog, Lindsay is incredibly forthcoming about sharing which marketing techniques worked for her, the numbers of books she’s sold at different points in time, and smart, insightful observations about new trends in the industry and how they can be applied to selling your books.

Hugh Howey
Once upon a time, Hugh Howey was a starving, self-published author just like the rest of us. Now he’s a bestseller, and his brilliant Silo Series (Wool, Shift and Dust) are well-known to any self-respecting sci-fi fan (and personal favorites of mine). But what makes this blog special is that Hugh’s ability to reawaken your passion for the craft of writing, which sometimes can get a little lost in the monumental effort of marketing and selling books.

Tim Ferriss
On the other extreme from Hugh Howey is Tim Ferriss, the author of the 4-Hour Work Week (and many other 4-Hour themed nonfiction books). He is an author and an entrepreneur who has branded himself and his books, and has become immensely successful because of how brilliant he is at marketing. This is not a blog for authors looking to discuss the craft, but if you’re looking for big ideas and are a risk-taker, you’ll find some great strategies on his blog.

C.J. Lyons
I find this blog great for practical advice from a prolific self-published author who practices what she preaches. She writes suspense/thrillers, and has been incredibly successful in her niche. She openly shares what has worked for her, but also acknowledges that not every writer has to be a best seller in order to be successful. Her strategies are thought-provoking and not at all like the generic advice that you find on so many self-publishing websites.

Kami Garcia
Disclaimer – I write YA fiction, and Kami Garcia, author of awesome YA fantasies like Beautiful Creatures, is one of my favorite writers. What I find cool about her blog is that it isn’t all self-promotion about he books. She dedicates time providing insightful input and resources for writers. Kami isn’t self-published, but her blog is a quick, enjoyable read if you’re curious about the kind of things that author’s who’ve already “made it” think about.

When to Stop Editing

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I can admit it – I’m addicted to editing. I’ve rewritten the first chapter of one of my novels so many times that all of the versions start to blur together. Sometimes the changes are relatively minor, but I can’t help thinking of better and better ways to begin, and end up with a completely different opening scene. I’ve added and deleted prologues, and added an epilogue only to question whether it disrupts the flow of the primary narrative.

So my question is, how do you know when your story is good enough? I think I’ll always come up with new ideas that I want to incorporate, but unless I want to end up with one unfinished manuscript at the end of my life, at some point I have to stop and move on.

When I reach this point, I know I have to share my story with people who I trust. They will inevitably  have suggestions of their own, but I can tell by the type of feedback whether or not I’m close. When you hear that an entire character isn’t working, or a section / aspect of the book is slow or doesn’t make sense, I keep rewriting. Or if several readers are taking forever to finish the story, that’s a red light – obviously it isn’t holding their interest enough to finish quickly. But when the suggestions start to get minor, details that need to be sharpened, I make the edits and move on.

So I know it’s time to finally let go of that first chapter. Time to close the file, admit it’s done and start dreaming up new worlds.