Sweating Your Way to Writerly Greatness

shutterstock_123855541When an athletes are wildly successful, no one questions that in addition to talent, they have put in countless hours practicing, relentlessly drilling themselves on specific maneuvers and training their bodies to be in prime condition. When a writer is wildly successful, the reverse is true. Most people assume that great writers achieve success because of their talent, and of course, they probably honed their craft a bit too.

It isn’t only readers who have this assumption. Authors themselves (myself included) often underestimate the amount of time, effort and practice needed to make their writing good. I am a huge fan of Malcolm Gladwell’s books, and I loved the part of Outliers where he discusses the 10,000 hour rule. Basically, Gladwell studied extremely successful people and proposed that it takes 10,000 hours of practice to become a master in a field. This is both incredibly encouraging and incredibly daunting. The encouraging part is that almost anyone can become good at something if they put in their 10,000 hours. The daunting part is that it takes that much time to get good. But throw in some talent as well, and you can really make a mark.

Even though studies have argued that Gladwell’s theory is only partly true, and practice can only take you so far, as authors I think we all to often undervalue putting the time in to hone our craft. It isn’t 10,000 hours including writing grocery lists, or even sporadically writing stories since you were a kid. I think putting in the time means concentrated effort over a continuous period of time. Like any muscle, your writing can weaken when you neglect it, and it will take additional time to strengthen it after a period away.

If you look at famous authors, the truth of the 10,000 hour rule often plays out. It took J.K. Rowling six years to write the first book in the Harry Potter series. Suzanne Collins of Hunger Games fame has been doing scriptwriting for almost three decades and book writing for over a decade. The Hunger Games isn’t even her first series – she wrote The Underland Chronicles first. The list goes on.

I’m finishing up my fourth full-length novel, and I’ve also written three screenplays. I don’t know if I’ve logged 10,000 hours writing, or if that matters. But I do know that my writing is better now than it’s ever been. I think about my craft more now than before, and my approach has evolved. So even if The Conjurors Series never makes me money, I could never consider it time wasted. I loved the writing of it, and it has fundamentally changed me as a writer. Looking at it this way, I could give the series away and consider it a success.

Soon I’ll be on to the next challenge, but I’ll take all that I’ve learned with me.

 

When the First Book in Your Self-Published Series Is the Weakest

shutterstock_186735257Once upon a time I decided to write a young adult fantasy novel. I spent hours plotting, writing, editing, rewriting. There were dozens of beta readers, five major rewrites of the entire story (and countless minor rewrites), and the help of a professional editor. The result was a decent book that I’m proud of, the first book in The Conjurors Series.

I’m now writing the fourth (and last) book in the series, and to say that my writing has evolved would be an understatement. Reading the first book makes me shake my head and sigh at how naïve I was. I’m not claiming to be Shakespeare now, but the act of spending hundreds of hours writing thousands of words has made me a better writer.

The only problem is that readers’ introduction to my writing is the first book of the series – which is the weakest. Below are some of the ways I’ve seen this problem tackled.

Give your first book away for free.
I’m a follower of Lindsay Buroker’s blog, and she was one of the early self-publishers to make the first book in her series, permanently free. She feels that it was a great way to build her fan base and gain the significant following that her writing now has. In my opinion, though, the first book in her series is actually pretty great – her writing just gets that much better. So this option works if your first book is at least good enough to hook readers and get them to continue to read an become more invested in your writing. Also, with so many freebies out there now, having a free book doesn’t have the same impact that it did in the past.

Give your series away for free.
This may sound crazy, but it’s a bolder move. Lots of people give away a book, but an entire series? If you already have your next set of books in the works, it can be an aggressive way to build a fan base. If you’re in the self-publishing route for the long haul and are a fairly prolific writer, consider giving a huge incentive to readers for trying your writing.

Rewrite your first book.
Rewriting (yet again) your first book will be acute torture, take it from someone who has been there, done that. I had limited success with rewriting the book to bring it up to par with the rest of the series, because too many plot points were already embedded through the series. Any changes I made had to be threaded through the rest of the books, and it was exhausting. The end result was a story that was marginally better, but still not as good as the rest of the series. However, if your first book is freestanding, bite the bullet and rewrite it. If there are scenes you can rewrite, go for it. I also recommend cutting as much as you can to make the story short and sweet.

Cut your losses and start a new series.
I considered pulling my books off Amazon, abandoning my heroine and starting a new series, but something is compelling me to finish telling the story that I started. Even if this series never amounts to anything more than a lot of my time and sweat, and a few readers who enjoyed it (thanks, Mom!) Valerie’s journey must be completed. I’ve learned a lot, and as excited as I am to start the next series, it feels right to close this chapter first. But if you are less attached to your story, keep in mind the idea of sunk costs – sometimes it’s better to look forward at what you could be accomplishing instead of investing more time in a series that isn’t going to benefit your writing or your career.

Is anyone else in the same boat, with a series that has gotten progressively better, but is held back by a weak first book?