What’s Your Writing Research Style?

DaVinciCodeA few years ago, when I read The DaVinci Code by Dan Brown, I was struck by how the depth of his research made his story so appealing. He had obviously deeply studied the legends around the historical buildings and objects he mentioned, as well as their recorded history. And when Robert Langdon found something new in these famous objects that millions of eyes had viewed but never noticed, I felt a tangible thrill of discovery. It reminded me of reading Nancy Drew when I was younger – it felt like an adventure that anyone could stumble upon, like secret passages are around every corner and the world is a mysterious, exciting place.

stonehengePlaces with history are particularly fascinating to me. Whether it’s more myth than reality, like the legend of Atlantis, or real-life architectural marvels, like the Great Pyramid, I find myself researching everything I can on these topics. When I included the Great Pyramid and Stonehenge in my first novel of The Conjurors series, I rented videos from the library, scoured the Internet, and even interviewed friends who had visited the monuments. I learned a ton of information that I never used when I wrote my book, but a few intriguing details sparked my imagination and made my story much richer.

I’m deep in the midst of writing the second book, and I feel almost guilty that I’m not taking the same amount of time to do research on the places I’m writing about. Instead I’m relying on my imagination and a setting that best suits the plot I’m writing about, rather than embedding the story in actual facts or legends. I’m happy with what I’ve written so far, but it has me second-guessing myself. Am I taking the easy way out? Should I return to my research roots? Or is it okay to let my imagination take the lead this time?

100,000 Words in 100 Days

shutterstock_77716045Lately I’ve been fighting with myself. There are so many excuses not to write every day – I have a toddler with a virus every other week, a demanding day job, and family and friends that I want to spend time with. At the end of the day I’m so tired that I feel like eking out an ounce of creativity would be like squeezing water from a rock.

But on the other hand, I’m a happier person when I write. Suddenly on my commute to work instead of being annoyed with the traffic, I’m imagining scenes that I’m working on. I feel more attuned to what’s going on around me, because I never know where inspiration might strike. And when I wake up in the middle of the night, instead of stressing about a deadline the next day, it’s because I just solved an important plot puzzle that had been nagging me.

I’ve always been a person who likes to have a solid goal, so I’ve made the decision that I will write every day, no excuses, for 100 days. With some luck, I hope to have a very rough first draft of the second book in my series completed at the end of that time. Hopefully at the end I’ll have something solid that I can edit, and my sanity will still be intact. Wish me luck.

Five Terrifying Young Adult Fantasy Villains

Over the past few weeks I’ve been creating the backstory for the villain of my series, The Conjurors. I want him to be believable, compelling, and frightening. For inspiration, I looked to the masters of young adult fantasy and considered which villains I found most captivating. Below are my top five.

Lord Voldemort, Harry Potter, J.K. Rowling

VoldemortJ.K. Rowling may not be the first author to use Hitler as a model for her super villain, but she is the most creative, in my opinion. Voldemort’s obsession with the purity of the wizard race, combined with his sociopathic childhood, make him both creepy and intensely threatening. Throughout the series no one was safe – not even civilians or children. When he whipped out his wand, my palms would sweat for whoever was at the other end of it. And let’s not forget his snake, Nagini. I think I’d rather submit to “Avada Kedavra” than be eaten by that enormous monster.

Metatron, His Dark Materials, Philip Pullman

A power-mad angel with almost unlimited powers, Metatron feels undefeatable in the His Dark Materials series. He uses the language of religion to create a dictatorship from heaven, where he can control human’s lives like puppets. Perhaps most chilling of all, he is even more powerful than The Authority, who is god in the series. Throughout the books, I found myself wondering how he could ever be taken down – but it was by his own weakness in the end, not someone more powerful than himself. My one gripe was that the hero and heroine of the story, both children, weren’t the ones to lead him to his doom.

Galbatorix, The Inheritance Cycle, Christopher Paolini

InheritanceCycleCoversUsing the souls of dead dragons to power his magic? Yikes! I have to give Paolini credit for finding one of the most original and sinister ways for a villain to derive his power. Galbatorix is absent for much of the series, but he is always talked about. This makes him more intimidating than if we were encountering him around every corner. And when Eragon does finally encounter the villain of the series, he doesn’t disappoint – he can possess people and, like Metatron, has to defeat himself because he is too powerful to be destroyed by anyone else.

Society, The Giver Quartet, Lois Lowry

TheGiverThe Giver was one of the most fascinating books that I read when I was younger, and Lowry has recently finished the series in 2012 with the final book, Son. In this series, it isn’t one villain who acts as the antagonist of the series, but rather society as a whole. The mob mentality of killing off those who are weak, and a conscious decision to shut off emotions, leads to very cold and clinical assessments of who should live and die. It’s a world where babies who cry too much are killed, having a disability can lead to execution, and it is up to children to be the moral compass for a society that has no idea that it is out of control. In this way the villain of the series is like the hydra – one head is cut off only to be replaced by two more.

Neferet, House of Night, P.C. Cast and Kristin Cast

The House of Night series achieved something difficult when they created Neferet, a beautiful, powerful and charismatic vampyre who wants to instigate a war with humans. Part of Neferet’s appeal comes from the fact that she is so likeable at times – for a good part of the series you hope she can be turned around. She also has a great backstory that really makes you feel for her. I thoroughly enjoy a villain who I can sympathize with and isn’t pure evil. When the hero or heroine has to defeat someone they care about on some level, the stakes seem higher.

Did I miss your favorite YA fantasy villain?

Falling in Love on the Page

Picture1I’m writing the second book in my series, The Conjurors, and my main character is falling in love. Writing this in a way that feels real and conveys the power and passion of love when you’re 16 has been exceptionally hard for me to do well. If I keep it too minimal, readers won’t have an emotional investment in the relationship. But take it over the top, and it starts to feel like a cheesy romance novel.

Not to be controversial, but my one gripe with J.K. Rowling‘s Harry Potter (of which I’m a HUGE fan) was that I never felt invested in Harry and Ginny. Hermione and Ron, I was totally rooting for. But somehow I always felt like Harry deserved a more compelling love story.

At the other extreme, Stephanie Meyer‘s Twilight series hit a nerve with YA girls for the romance, but for the rest of us who were looking for more substance to the world and the action surrounding that story, the series was disappointing.

hungergamesSo how do writers find the right balance? I think that The Hunger Games by Suzanne Collins did a great job of weaving a dynamic love triangle with a gripping story. It gave the series an emotional center that made the stakes higher and the consequences more poignant.

What YA books do you think have done an exceptional job with romance?